Smokey Robinson & The Miracles #Motown #R&B #rock & roll #soul #funk #1960s
The most underrated Miracles LP of the '60s, Make It Happen featured a spate of great songs, including three or four that really should've been hits (plus one that only became the group's biggest hit three years after release). Opening with "The Soulful Shack," a grooving dance number that would've fit perfectly on the previous year's Away We a Go-Go, the album featured plenty of near-misses, including a pair of delightful good-times dance songs, "My Love Is Your Love (Forever)" and "It's a Good Feeling," plus a great choice for a cover, a tender version of Little Anthony & the Imperials' "I'm on the Outside (Looking In)." The hits really did shine more than any of the other songs, though, marking yet another leap in the level of Smokey Robinson's compositional sophistication. "The Love I Saw in You Was Just a Mirage" is a brilliant twist on a romantic novelty in the Motown mold (with a production that deftly references the British Invasion), while "More Love" is the most sincere lyric and most emotive performance in the group's catalog, a song of reassurance occasioned by several miscarriages suffered by Robinson's wife (and fellow Miracle), Claudette. The capstone, however, was the last song, "The Tears of a Clown," originally written as an up-tempo instrumental groover by Stevie Wonder and his producer, Hank Cosby. Robinson's lyric is witty yet sublime, and his lead vocal is one of the best performances of his recording career. One of the biggest misses by the notoriously hit-conscious Motown organization was failing to release this as a single before it became an album hit on British radio in 1970, three years after it first appeared. It shot to the top of the charts on both sides of the Atlantic, and prompted Motown to re-release Make It Happen under a new title, The Tears of a Clown. From: https://www.allmusic.com/album/make-it-happen-mw0000873287
William "Smokey" Robinson's high tenor is his calling card, but he's also one of the most important songwriters and producers of the 1960s. The only Motown artist to write and produce his own recordings from the beginning, he also wrote and produced many of the most memorable songs for Motown's other acts: "Ain't That Peculiar" for Marvin Gaye; "My Guy" for Mary Wells; "My Girl" and "Get Ready" for the Temptations. He kept plenty of top material for himself, from early hits like "Shop Around" and "Ooh Baby Baby" to the Sound Of Young America classics "The Tracks Of My Tears" (which inspired the Zombies' "Time Of The Season") and "The Tears Of A Clown" (co-written with Stevie Wonder). Smokey has an ear for catchy melodies and was a perfectionist producer and arranger, but his most important contribution was his lyrics: probably the most cleverly written love songs of the period, often working an extended metaphor to death: listen to "The Way You Do The Things You Do" by the Temptations or the Supremes' "The Composer" or Smokey's own "More Love" or "I Second That Emotion" and you'll see what I mean. Bob Dylan once called him America's greatest living poet, and I suspect he wasn't kidding. (Dylan later said it was a slip of the tongue and he'd meant to say Artur Rimbaud, who was neither alive nor American, but whatever). From: http://www.warr.org/smokey.html
