Cult followers of the “witch house” movement will be familiar with industrial outfit White Ring, who are set to release their new album Gate Of Grief via Rocket Girl Records on July 27th. After an eight year hiatus, the band have returned and are ready to bewitch their fans with more of their corrosive sounds. We caught up with Adina & Bryan to ask them about their recent gig in London and their upcoming album.
You recently played a free gig at The Shacklewell Arms. Did you enjoy the show? What did you get up to whilst you were in London, aside from supporting God Is An Astronaut?
We had a great time playing shows again. We were really busy doing press stuff between shows. We didn’t do much.
Your stage presence is pretty intense – do you have any pre-gig rituals that help you prepare for your set?
We usually do some meditation, stretch and pray to our ancestors for good luck, very important.
You formed on Myspace and helped to develop the “witch house” movement, which dedicated fans keep track of online. Do you think the internet is crucial when it comes to forming a band, nurturing a scene, and sharing your music?
It’s definitely a blessing not having to be physically connected to any particular city’s music scene, but the pendulum also swings the other way too, and can make some people really locked in on what others are doing, and I think it’s making them lonely.
Your new album, Gate Of Grief, probes at difficult and uncomfortable territory. What are you most proud of about this record?
I’m proud that it’s done and that we are all still alive.
Do you have a favourite track? If so, why?
I really do love how this album functions more like the albums I grew up listening to – where track selection and placement are kept in mind. If I had to pick one it would probably be ‘Do U Love Me 2?’ just because I don’t remember writing it. I woke up after crashing from a 3 day bender in like 2012 and found this 11 minute song that I vaguely remember working on. I just made it a non-offensive length and released it as is. I feel like that one found me.
The image of the gate in the title refers to the real gate between Africa and Saudi Arabia, which is believed to be the place where the first humans migrated and went on to populate the rest of the world. How do you take a concept like that and turn it into densely electronic music? Do you have a process that you follow, or do you create each song differently?
We came up with the concept when putting together our first EP, Black Earth That Made Me. The only idea we have for White Ring is to keep changing. We like too much shit to get weighed down with any one ideology. We kind of just want to tell a story that helps people realize they are not alone. Trying to tell a story about struggling to survive. We have had 6-8 different setups for recording. As soon as we get comfortable with something we get rid of it.
As we’re a new music blog, we always ask bands what other new bands or artists they’ve been listening too. Who can you recommend to us?
I’ve just been listening to a lot of The Soft Moon, John Maus and Korn lately.
What are your plans for the rest of 2018?
We just started recording our next EP, touring the album and we are working on launching a manufacturing company.
Finally, if you weren’t creating music as White Ring, what do you think you’d be doing instead?
I would be making music in my room doing a job that I don’t like as much!
From: https://getinherears.com/2018/07/18/interview-white-ring/
