The Velvet Underground - Rock & Roll

#The Velvet Underground #Lou Reed #John Cale #experimental rock #art rock #avant-garde #proto-punk #1960s

Though there are many themes that keep reappearing throughout the history of music, few make for better songs than that of the "innocent" child hearing "great" music for the first time. In nearly every genre, some form of this song has been recorded, and while the details change, the spirit behind the song is always one that remind people of the great power of music. With a majority of these songs, the lyrics seem quite autobiographical in nature, while they can simultaneously be applied to nearly anyone, and this is often the reason that the songs become so legendary. While it is truly a countless amount of songs that are created in this manner, there are few that can compare, both musically and lyrically to the mood and power of The Velvet Underground's classic tune, "Rock and Roll." As an integral part of their legendary 1970 record, Loaded, the song perfectly captures these feelings, and yet it is easily one of the most joyous and inspiring songs ever recorded. Powered by the early punk sound of the band, along with the stunning vocal work of Lou Reed, the song instantly grabs the listener and the true genius behind the song remains in the fact that no matter how many times one hears the song, it still has the same level of impact. From the core riff to the iconic lyrics, there are truly very few songs that can compare to the sheer magnificence of the often imitated, but never even remotely duplicated, "Rock and Roll."
Truth be told, the song was actually recorded on the tail end of the bands' previous, self-titled record a year earlier, but it did not make the cut and was left "on the shelf" while the group changed record labels. In retrospect, this was a very good thing, as "Rock and Roll" fits far better with the songs on Loaded than with those of their 1969 effort. The song itself is driven by a brilliantly simple three-chord progression, making it a song that even the most novice guitar player could easily master. This uncomplicated musical approach is certainly one of the keys to the songs' appeal, and yet it also reflects the universal nature of the music which is being referred to in the lyrics. However, "Rock and Roll" also features The Velvet Underground's signature gritty, stripped down sound, and it provided a very stark musical contrast to nearly everything else that was being released at the time. While both Lou Reed and Sterling Morrison provide stunning guitar work throughout the song, one of the key aspects that sets both the song and album apart from the rest of the bands' work is the fact that drummer Maureen Tucker is not present. At this point, Tucker was gone from the band due to having a child, and throughout Loaded, the percussion is handled by a number of different people. Regardless, "Rock and Roll" presents an absolutely amazing groove, and it remains one of the most irresistible rock anthems ever recorded.  From: http://thedailyguru.blogspot.com/2010/03/march-4-velvet-underground-rock-and.html

The Velvet Underground - I'm Waiting For The Man

 #The Velvet Underground #Lou Reed #John Cale #Nico #experimental rock #art rock #avant-garde #proto-punk #Andy Warhol

American rock band The Velvet Underground released "I'm Waiting for the Man" in 1967 on their debut album, The Velvet Underground & Nico. Like many of the band's other songs, "I'm Waiting for the Man" focuses on the dark underbelly of life in New York City. The track, written by singer Lou Reed, tells the story of a man in New York traveling to Harlem to meet his drug dealer, who is never referred to as anything other than "the man" in the song. He brings $26 uptown, where he stops at a brownstone at the intersection of Lexington Avenue and 125th Street, which is currently the home of a 4/5/6 subway station. ("Up to Lexington, 1-2-5"). The Velvet Underground were one of the first groups to openly write songs about drug use and its catastrophic consequences (heroin, in the case of "I'm Waiting for the Man"). The accounts often came from the personal experiences of the band members.  From: https://www.musicbanter.com/lyrics/Velvet-Underground-I-m-Waiting-for-the-Man.html

The Velvet Underground - Heroin

 #The Velvet Underground #Lou Reed #John Cale #Nico #experimental rock #art rock #avant-garde #proto-punk #Andy Warhol #1960s

The Velvet Underground was easily one of the most important rock bands of all time pushing the boundaries of acceptable music. They were far beyond their time, taking rock music to a whole other level; they never went on to become part of the mainstream but were critical in the forming of other bands. Their legacy has continued to last after their short run as an active band shaping the works of Patti Smith, David Bowie, the Sex Pistols, Talking Heads, U2, R.E.M., Roxy Music, Sonic Youth and many others. They were more progressive than other rock bands during the era of flower power by writing about social taboos such as sexual deviancy in the song "Venus in furs" and drug addiction in the song "Heroin" and "White Light/White Heat". They also wrote about paranoia, social alienation, violence, hopelessness and urban demimonde in several other songs. Sterling Morrison, Maureen Tucker, John Cale, and Lou Reed played their first show together in 1965. Just a few months after that, in a little Cafe in Greenwich Village in New York City the pop artist Andy Warhol saw them perform and took the group under his wing and they soon became the house band at his infamous studio the Factory. He made them the centerpiece for his "Exploding Plastic Inevitable,” a series of multimedia events that included screenings of Warhol's films and musical performances from the band, as well as dancing and other performances. Their debut album, The Velvet Underground and Nico (featuring the German singer/actress Nico) dwindled in record-label red tape for a year before finally being released in 1966. The album's tracks proved to be one of the most cutting edge of it’s time. The group and Warhol had a falling out after they performed in Boston without Nico and the rest of the Inevitable cast, who arrived later. They were then forced to take on Steve Sesnick as their manager and without Warhol's connections and publicity they soon faded away. Empty theaters and unsuccessful album launches plagued the rest of the Velvets career, yet their extreme versatility showed that they were a force to be reckoned with.  From: https://sites.google.com/site/mississippijohnhurtproject/home/the-velvet-underground