Reggie Watts - Fuck Shit Stack

 #Reggie Watts #comedy #comedic music #electronic music #trip-hop #soul #alternative comedy #music video

Reginald Lucien Frank Roger Watts is an American comedian, actor, beatboxer, and musician. His improvised musical sets are created using only his voice, a keyboard, and a looping machine. Watts refers to himself as a "disinformationist" who aims to disorient his audience in a comedic fashion. He appeared on the IFC series Comedy Bang! Bang! and leads the house band for The Late Late Show with James Corden.  From: https://en.wikipedia.org/wiki/Reggie_Watts

The dude is hilarious. I’ve been on this Reggie Watts kick for almost four months now, ever since my friend sent me a link to his music/comedy video, “Fuck, Shit, Stack,” parody of his view of hip-hop. Aside from the crazy hair that he said, “adds to his look,” Reggie was wearing a fitted Montana t-shirt, suspenders, and blinged out triple rings when he met me at the Ace Hotel in Manhattan last week. Watts is currently the opening act for Conan O’Brien on The Legally Prohibited from Being Funny on Television Tour and recently recorded material for his Comedy Central special Why Shit So Crazy? He’s most noted for his improv comedy, but has dipped and dabbled into music, theatre, and performing arts. Not only that, he’s Alice Walker’s second cousin (although he admits to never reading any of her work). Reggie’s currently in New York for a string of performances over the next several weeks, and we were lucky to catch up with him for a brief moment. Check out our exclusive interview with the man who makes profanity totally okay.

I heard you’re a fan of our site.

Yea, someone told me about the site and I like the idea of it highlighting an under represented phenomenon.

Phenomenon?

I mean, it’s just that it quantifies alternative black culture in a way where its in a place. It’s nice to pull it all together.

How do you fall into the odd mix of things?

I guess I do because I don’t carry on in my comedy and when I perform, like here is a black person. I never really think of it that way. It’s just me and I’m kind of just doing stuff. Often times, people remind me and then I’ll be like, oh yea. But I’m going to do the same thing. A Latino guy with a bandanna gets up on stage, I’m going to immediately go, okay, and then when he starts talking about particle physics, then I’m like, wow. That’s really cool. I like that getting what you don’t expect. So in essence, I like the celebration of getting things that you don’t expect when you think you know what’s about to happen.

Let’s talk comedy. What’s funny to you?

Anything absurd. That’s my favorite form of comedy. Making it irrelevant by making it silly.

Is that what your song, “Fuck Shit Stack” is all about? I know all of the dance moves.

The song developed organically because I haven’t really written anything. Sometimes things stick and I start repeating them in my routines. So I think that was over two years of development and growth. I was just fucking around with it, not really taking it seriously. Then Comedy Central wanted to put out my record so I decided to do “Fuck Shit Stack” as my single. So I had some points I wanted to hit in the video. It was awesome.

What was the meaning behind the video?

The song was me playing on the cliche of hip hop. I love the beats, but sometimes it’s just so stupid. They’re just repacking the same shit over and over again.

Is that what the fuck shit is stacking?

I’ve never really given the title a definition because everyone kind of gives it it’s own thing and I kind of like that. The tangible lyrics are pretty basic and it’s fun to use swear words.

Are there any hip-hop artists you want to share this song with?

I call it pop hop. Like Jay Z, it didn’t come from that but that’s where it is. Not saying that it’s not heart filled, but its Hollywood, its glossy, it’s lifestyle music but no one lives that lifestyle. So its catchy but its irrelevant because it’s someones ideal of what life is like which is unattainable to the masses. Its not adding to the good to life.

From: https://afropunk.com/2010/09/fuck-shit-stack-up-with-reggie-watts/

Poco - C'mon

 #Poco #Richie Furay #Timothy Schmidt #Jim Messina #Randy Meisner #country rock #folk rock #ex-Buffalo Springfield #pre-Eagles #1960s #1970s #Beat-Club

The great Southern Californian country-rock group Poco can take a large amount of credit for forging a path through the roots and heartland of their chosen sound. Richie Furay and Jim Messina already had the reputation and the chops since they’d been fundamental to the success of Buffalo Springfield. The multi-instrumentalist Rusty Young added a flavour of pedal steel and six-string virtuosity while George Grantham’s drums and Randy Meisner’s lucid bass and distinctive harmony vocals completed a panoramic view of contemporary Troubadour era rock culture with an eye on the mythic Western past.  From: https://www.udiscovermusic.com/artist/poco/

Poco’s first two studio albums and Deliverin’, the live set from 1971, represent some of the best country-rock laid down to wax.  The tracks were taken from two recorded live shows: Boston’s Music Hall and New York City’s Felt Forum.  If you’re into this kind of music, Deliverin’ represents a kind of peak or pinnacle for the genre.  If only for the powerful playing, tight performances and Rusty Young’s brilliant, often underrated steel guitar work.  It’s easily one of the best live discs of its time; a better played and more enjoyable listening experience than say the Rolling Stones’ Get Yer Ya Ya’s Out.  Furay and Messina are in great spirits too, often lifting the mood and interplay between the musicians.  That’s what makes Deliverin’ so essential; the positive attitudes and vibrant mood of the musicians.  This music soothes the soul and lifts spirits; it’s good listening when you’re having a bad day or going through the motions.  But there’s also depth here too, these tunes will stick in your head for days.
Deliverin’ is high energy, hard hitting country music that mixes new group originals with tracks from Poco’s first two albums and a few Richie Furay penned Buffalo Springfield era gems.  “Kind Woman”, a great, great song, is given a 5 minute rendition while “A Child’s Claim To Fame” is the center of a brilliant medley which also includes “Pickin’ Up The Pieces” and the awesome “Hard Luck.”  They rock the hell out of album opener “I Guess You Made It” and nearly burst into flames on an acoustic version of “You’d Better Think Twice,” which was one of their all-time classics (a small radio hit too).  Deliverin’ ends with another great medley that is mostly comprised of songs from Poco’s superb debut. Not a wasted moment here.  This is Jim Messina’s swan song with the group as he would leave shortly after, forming the Loggins & Messina duo with Kenny Loggins of course.  Deliverin’ shows us why Poco was one of the great American bands.  From: https://therisingstorm.net/poco-deliverin/

First Aid Kit - It's a Shame

 #First Aid Kit #indie folk #Americana #country folk #folk rock #folk pop #singer-songwriter #Swedish

First Aid Kit is a Swedish folk duo consisting of the sisters Johanna and Klara Söderberg.  They are from Stockholm, Sweden but their music sounds like a slice of Americana: acoustic guitar, autoharp and lots of vocal harmony. First Aid Kit is known for sweet melodies paired with lyrics that are often dark.  https://www.firstaidkitband.com/

This song was written in the car going back to our rental house in LA after spending a beautiful day at El Matador beach. It’s a song about having to get used to being on your own after being with someone for a long time. How desperately lonely you can feel. How you wish you were stronger and how ashamed you can be of the fact that you’re not. When we traveled to LA we had lots of expectations of what the trip was going to be like. It didn’t really turn out the way we had planned. We were both very sad. “It’s a Shame” came out of the frustration and guilt we felt at the time. We were listening a lot to Fleetwood Mac’s Rumours when recording this song in the studio. There’s a bouncy quality to that record that we love. We wanted the song to feel alive and upbeat, in stark contrast to the lyrical content.  From: https://genius.com/First-aid-kit-its-a-shame-lyrics

The Byrds - It Won't Be Wrong

 #The Byrds #Roger McGuinn #David Crosby #Gene Clark #Chris Hillman #folk rock #psychedelic rock #country rock #jangle pop #classic rock #1960s

Although they only attained the huge success of the Beatles, Rolling Stones, and Beach Boys for a short time in the mid-1960s, time has judged the Byrds to be nearly as influential as those groups in the long run. They were not solely responsible for devising folk-rock, but they were certainly more responsible than any other single act (Dylan included) for melding the innovations and energy of the British Invasion with the best lyrical and musical elements of contemporary folk music. The jangling, 12-string guitar sound of leader Roger McGuinn's Rickenbacker was permanently absorbed into the vocabulary of rock. They also played a vital role in pioneering psychedelic rock and country-rock, the unifying element being their angelic harmonies and restless eclecticism.  From: https://www.allmusic.com/artist/the-byrds-mn0000631774/biography

"It Won't Be Wrong" was composed in 1964 by the Byrds lead guitarist Jim McGuinn and his friend Harvey Gerst, who was an acquaintance from McGuinn's days as a folk singer at The Troubadour folk club in West Hollywood, California. The song originally appeared with the alternate title of "Don't Be Long" on the B-side of a single that the Byrds had released on Elektra Records in October 1964, under the pseudonym the Beefeaters. By the time the song was re-recorded in September 1965, during the recording sessions for the Byrds' second Columbia Records' album, its title had been changed to "It Won't Be Wrong". Both the band and their producer Terry Melcher felt that the 1965 version included on the Turn! Turn! Turn! album was far more accomplished and exciting than the earlier Elektra recording of the song.
Lyrically, the song is a relatively simplistic appeal for a lover to submit to the singer's romantic advances. Musically, however, the guitar riff following each verse foreshadows the raga experimentation of the band's later songs "Eight Miles High" and "Why", both of which would be recorded within three months of "It Won't Be Wrong". The Byrds' biographer, Johnny Rogan, has described the difference between the earlier Beefeaters' recording of the song and The Byrds' Columbia version as remarkable. Rogan went on to state that the "lackluster Beefeaters' version was replaced by the driving beat of a Byrds rock classic, complete with strident guitars and improved harmonies, that transformed the sentiments of the song from an ineffectual statement to a passionate plea."  From: https://en.wikipedia.org/wiki/It_Won%27t_Be_Wrong
 

Lemon Sky - Ash and Bone

 #Lemon Sky #psychedelic rock #progressive rock #heavy psych #hard rock #1970s retro

Lemon Sky is a Cincinnati based psych-rock/prog-pop quintet that creates a heavy yet highly-melodic brand of psychedelic garage rock that combines the classic rock pomp and stomp of Led Zeppelin with the paisley pop melodies and modern musicality of Queens of the Stone Age for a forward-thinking sound rooted in the past.  From: https://www.bandsintown.com/a/2381083-lemon-sky 

“We’re all living in a world I dreamed,” croons Lemon Sky lead singer Aaron Madrigal in the chorus of “Dos”, which shares the same name as the latest release from the Cincinnati, Ohio quintet. The world that Lemon Sky has dreamed is one of rich harmonies, heavy guitars and hard-hitting beats that mold together to form their own brand of “citrus rock”. Pulling in influences from rock greats Led Zeppelin and Pink Floyd, Lemon Sky’s aptly named sophomore release, Dos, offers up phantasmagorical arrangements that take you on a psychedelic jaunt beginning with the soft chill of “Err” to the cumulative chords of the 8 minute finale, “Ash & Bone”. While it’s been five years since their debut release, Dos is worth the wait as Lemon Sky reaches for new heights in their pursuit of rock n roll.  From: https://midwestaxn.com/music/review/dos-by-lemon-sky/

Tardigrade Inferno - How Nightmares Die

 #Tardigrade Inferno #avant-garde metal #alternative metal #dark cabaret #dark circus music #Russian #animated music video

Coming from the musically rich city of St Petersburg, Russia is the extraordinarily zany and creative band Tardigrade Inferno which formed somewhere around 2016 and released one self-titled EP and has been somewhat quiet for a few years. The year 2019 has barely had time to warm up and the band finally unleash the very first debut full-length MASTERMIND which displays the band’s unique mix of alternative metal with dark cabaret circus music. Add in sprinklings of death metal, thrash and power metal and you have one of early 2019’s most promising new acts.
The word “Tardigrade” can refer to either a variety of slow-moving microscopic invertebrates or it can simply be an adjective that means slow-moving or slow in action. I have no friggin’ idea how this applies to this band since this is high energy metal and there is relatively little info about this band on the net as i can’t even find any sort of biography whatsoever, however i can say that this band has found a unique sound right off the bat. However if i had to compare Tardigrade Inferno to any other band it would definitely be Diablo Swing Orchestra as it has the same cartoonish feel and the singing style of lead vocalist Darya Pavlovich sounds a lot like both AnnLouice Lögdlund and Kristin Evegård of DSO.
Musically though, this band doesn’t break out the jazz instrumentation or even circus accordions but rather delivers a metal music heft piled on top of dark cabaret and circus melodies alongside the bouncy festive rhythms that are associated with the greatest show on Earth. The metal bombast is mostly carried out by the power chord slapping staccato style accompanied by circusy keyboard runs but different metal variations come into play however mostly in an alternative metal down-tuned power chord rampage. While Darya Pavlovich’s vocal range stays more in clean vocal cabaret mode, she occasionally screams in metal style reminding me of Arch Enemy for short stints but unfortunately not nearly enough! The circus bounces are always under the surface despite heavy metal thunder stomping fast numbers or slower subdued moments.
While i’m constantly reminded of Diablo Swing Orchestra, Tardigrade Inferno isn’t nearly as daring and out there and is rather restrained in comparison. While the music is definitely quirky and playful it doesn’t change the sound up nearly often enough although there are moments such as on the title track where death growls and guitar solos enter the picture, otherwise Darya is pretty much on cutesy Gwen Stefani mode and reminds me a bit of the 90s band No Doubt only with more metal bombast. While a band to look out for as the members become more comfortable with this stylistic fusion approach, this debut is a great start with elements of ska, gypsy swing and the dominant dark cabaret sounds keeping the album infectiously catchy and light-hearted without skimping on the metallic angst.  From: https://www.metalmusicarchives.com/artist/tardigrade-inferno

Nina Hagen - Ziggy Stardust

 #Nina Hagen #new wave #Deutschrock #post-punk #synthpop #David Bowie cover #music video

Also known as the Godmother of Punk, Nina Hagen is a German singer and actress famous for her eccentric singing style and appearance. She has experimented with a vast number of different styles and genres throughout her career including reggae, punk, gospel, big band, swing and even Hindu devotional music.  From: https://www.sputnikmusic.com/bands/Nina-Hagen/44592/

‘I never said I am doing punk music. I never said I am a punk. They said that. I wanted to do rock music since I was 12 years old. It touched my heart to hear Tina Turner, the Beatles. And they were all my singing teachers because I made cassettes. And I sang along. And I wanted to make music like that.’ Born and raised in Berlin, East Germany, CBS Records signed Hagen in 1976 when she was 21. They knew she could sing ‘like a walking volcano,’ as she says, but they wanted her to learn live performance. So they gave her a lot of time and some money to go to London. ‘I saw all the punk bands and when I came back to Berlin I cut my hair short and made black lipstick’, Hagen says. ‘And then they said I’m a punk. I am an entertainer. I sing political cabaret and spiritual cabaret and I write songs about anything concerning life. So it’s just maybe one aspect of my art, punk art.’  From: https://www.maramarietta.com/the-arts/music/neo-classical-and-contemporary/nina-hagen/