Showing posts with label Tardigrade Inferno. Show all posts
Showing posts with label Tardigrade Inferno. Show all posts

Wednesday, May 17, 2023

Tardigrade Inferno - The Worst of Me


 #Tardigrade Inferno #avant-garde metal #alternative metal #dark cabaret #Russian #music video

Tardigrade Inferno is a young band, but already established in its niche. The team itself positions itself as a "metal big top" and focuses not only on music and funny lyrics, but also on appearance. While the band is on its first Russian tour, we got in touch with the musicians to get a little more information about their plans for the near future, new albums and personal philosophy.

Let's talk about personal branding. Do you have a personal brand, do you feel responsible for being a public figure? How do you position yourself to the public?

Yes, there is something similar. There is an image of some kind of leading circus or a teller of scary stories to children, and there is just us as people, and we maneuver somewhere in the middle so that there is both theatricality and sincerity. That is, on the one hand, we have an image with a certain amount of mystery that we protect, on the other hand, we are open to communication with fans.

Do you have some kind of self-censorship, so to speak?

No. That is, we discuss what and how to post and what to write, but this is more editing than self-censorship. We do not have some terrible undercover secrets that we hush up, there are no taboo topics that we really want to say something about but we are afraid that they will not understand us. There were no places in the songs that we would cut so as not to fall under someone's knife.

Do you get compared to other popular bands with female vocals? Do these comparisons offend you?

Of course they compare. We can't remember anything bad. If it was, then it is most likely a matter of taste. The very fact of comparison is not offensive.

Due to the fact that you don’t have a frontman, but a frontwoman, so to speak, there were no such stories when people told you “here is a woman’s place in the kitchen, where you climbed onto the stage”, “a girl should be cute, how can you be in such kind of speaking." Have you come across any stereotypes?

It slips in personal conversations, but very rarely, only if the person is not involved in this. It's a matter of life choice when it comes to a woman's career as a metal vocalist. There are career women; they are condemned by those people for whom such a lifestyle is unacceptable. Our circle of contacts is such that such questions and claims do not arise. Such reasoning is probably characteristic of the people who do not come into contact with such types of art, so our contacts end at the stage of “what kind of freaks are these anyway?” Although recently in VK Sasha was asked to explain a hairstyle.

Are you generally offended by comparisons with Western colleagues?

Offended - never. We may be perplexed when they say about us “you just took a bandname and licked everything like a carbon paper”, but it’s strange to be offended by this, and indeed to react in any way. And when they just compare, there is no negative at all. Even within the band we don't fully agree on who our music is more like.

Is it possible to say that you are trying to convey the serious through a joke in your work?

Partly. The song must first of all work on an emotional level, and if the lyrics are just 100 percent humorous jokes, then it will not be as effective as adding tragic notes or some idea. That is, all this is not based on the desire to say something important, but on the desire to write a good song. And if there is nothing in the song except the surface layer, then it is felt. And it turns out that "to convey something serious" is not an end in itself, but a practical necessity. Of course, not all of our songs are about something other than the immediate plot of the text (at least consciously), but without a periodic feeling that there is something behind the song, it seems to me that listening to music gets boring.

Do you have any strange fans or stories associated with them? Your colleagues often tell stories about fans who stalk them, give strange gifts, and compulsively write comments and letters on social networks.

You know, we have quite a lot of "weird" fans in a good way, which is quite logical, since we ourselves are strange, like our music. Often people come to our concerts in cool strange costumes. We haven't accumulated any stories yet, but now we are skating our first tour, getting to know the fans. There are guys who go to our concerts in different cities. They give us gifts. We were presented with drawings, paintings, last year one artist presented a large painting of Dasha. We still have not found a place on the repbaza where to hang it, but we will definitely hang it, we really like it. Once, guys from Tula came to our concert, brought a gingerbread, but the guards took it away and ate it. In social networks, some fans quite often write to Dasha, but so far there has not been any obsessive persecution.

Isn't it scary to be a musician in Russia?

It's scary to be in Russia. Being a musician in Russia is just as scary as being a musician in another country. Show business will chew you up and spit you out if you don't try, like any other business.

Translated from: http://metalkings.org/interviews/257


Friday, March 3, 2023

Tardigrade Inferno - Hypnotherapy For Beginners (Hypnosis)


 #Tardigrade Inferno #avant-garde metal #alternative metal #dark cabaret #Russian #music video

Tardigrade Inferno’s Mastermind is one odd duck. Put one way, this album is literally my personality written into a metal record. Put another way, it’s a circus-tent nightmare from clown hell, and Frontierer happened to play there once and left their chunky guitar tone there by accident. What sets Tardigrade Inferno apart from the only other act on the planet that I know of who sounds remotely like these Ruskies — Stolen Babies — is that their concoction of dark cabaret and metal is more straightforward and therefore way more fun. Cheesy? Hell-fucking-yeah. Yet, every microsecond of Mastermind claws deeper and deeper into my brain with every single riff or chorus or synth lead, of which there are multitudes.
Take the opening track, “All Tardigrades Go to Hell,” as the template for the album as a whole. Darya Pavlovich hosts The Greatest Show Under a Microscope with her sometimes sneering, sometimes quasi-operatic ringmastery. Maxim Belekhov and Alexander Pavlovich follow right behind with an elephantine riff that will stomp your skull flat. Keyboardist Viktor Posokhin further ensnares my imagination with eerie calliopes and buzzing synths, and drummer Andrew “Drew” [lat name redacted] provides a dynamic, albeit not at all technical, rhythmic backbone to support this colorful cannon of confetti and carnage.
Things get silly very quickly after that. “Hypnosis,” “Dreadful Song,” and “Alabama Song” maximize on Witchyworld-ready whimsy, but once again the riffs use the upbeat instrumentation as leverage to smash your face in with a Fist-in-a-Box. Instrumental “Precourse” comes next, smartly bisecting Tardigrade Inferno’s debut into two segments. In this second half, songs like “Church Asylum,” “All Pigs are the Same,” and Song o’ the Year Finalist “Mastermind” feel more story-driven and tinged with villainy, but in a playful way. Plus, you get not one but two fantastic covers: System of a Down’s “Marmalade” and “We Are Number One” from Lazy Town. Both of them are as faithful as they are absolutely ridonkulous.
Mastermind is certainly not perfect. As consistently insane as it is, it’s definitely also an acquired taste for many. At the same time, Tardigrade Inferno offer something truly rarefied in my world. I normally hate cabaret music, with very few exceptions (almost all of them found in videogames). And yet, here I am, spewing nonsense about a cabaret metal album that everyone else here will probably hate, but which I love with the burning passion of a million firecrackers. What a time to be alive!  From: https://www.angrymetalguy.com/tardigrade-inferno-mastermind-things-you-might-have-missed-2019/

Saturday, December 3, 2022

Tardigrade Inferno - How Nightmares Die

 #Tardigrade Inferno #avant-garde metal #alternative metal #dark cabaret #dark circus music #Russian #animated music video

Coming from the musically rich city of St Petersburg, Russia is the extraordinarily zany and creative band Tardigrade Inferno which formed somewhere around 2016 and released one self-titled EP and has been somewhat quiet for a few years. The year 2019 has barely had time to warm up and the band finally unleash the very first debut full-length MASTERMIND which displays the band’s unique mix of alternative metal with dark cabaret circus music. Add in sprinklings of death metal, thrash and power metal and you have one of early 2019’s most promising new acts.
The word “Tardigrade” can refer to either a variety of slow-moving microscopic invertebrates or it can simply be an adjective that means slow-moving or slow in action. I have no friggin’ idea how this applies to this band since this is high energy metal and there is relatively little info about this band on the net as i can’t even find any sort of biography whatsoever, however i can say that this band has found a unique sound right off the bat. However if i had to compare Tardigrade Inferno to any other band it would definitely be Diablo Swing Orchestra as it has the same cartoonish feel and the singing style of lead vocalist Darya Pavlovich sounds a lot like both AnnLouice Lögdlund and Kristin Evegård of DSO.
Musically though, this band doesn’t break out the jazz instrumentation or even circus accordions but rather delivers a metal music heft piled on top of dark cabaret and circus melodies alongside the bouncy festive rhythms that are associated with the greatest show on Earth. The metal bombast is mostly carried out by the power chord slapping staccato style accompanied by circusy keyboard runs but different metal variations come into play however mostly in an alternative metal down-tuned power chord rampage. While Darya Pavlovich’s vocal range stays more in clean vocal cabaret mode, she occasionally screams in metal style reminding me of Arch Enemy for short stints but unfortunately not nearly enough! The circus bounces are always under the surface despite heavy metal thunder stomping fast numbers or slower subdued moments.
While i’m constantly reminded of Diablo Swing Orchestra, Tardigrade Inferno isn’t nearly as daring and out there and is rather restrained in comparison. While the music is definitely quirky and playful it doesn’t change the sound up nearly often enough although there are moments such as on the title track where death growls and guitar solos enter the picture, otherwise Darya is pretty much on cutesy Gwen Stefani mode and reminds me a bit of the 90s band No Doubt only with more metal bombast. While a band to look out for as the members become more comfortable with this stylistic fusion approach, this debut is a great start with elements of ska, gypsy swing and the dominant dark cabaret sounds keeping the album infectiously catchy and light-hearted without skimping on the metallic angst.  From: https://www.metalmusicarchives.com/artist/tardigrade-inferno