It's fair to say nobody had heard anything quite like Vanilla Fudge when the band burst onto the scene in August 1967 with their cover of The Supremes’ hit You Keep Me Hangin’ On. In contrast to The Supremes’ sparkling, syncopated rhythms propelling the song at a gallop, the Fudge version begins with a single organ note that appears to be struggling to hold its pitch against unseen forces. Gradually, the note is joined by other notes – it would be stretching things to call it a chord - which are also being buffeted by the elements. Just as you’re beginning to wonder whether it may be some musical code trying to tell you something - a bit like that sequence in Close Encounters - what sounds like the noise of a drumstick splintering against a hi-hat jolts your senses, and suddenly you’re engulfed in a clattering musical cacophony that finally erupts into the classic You Keep Me Hangin’ On riff. Except that it’s played at a quarter of the speed and with a fearsome, heavyweight, pile-driving intensity. The vocals come in at the same crawling tempo, and the singer is clearly desperate to keep hangin’ on. Indeed when he gets to that throwaway line in the original "And there ain’t nothing I can do about it", he sounds like he’s in the throes of a full-scale nervous breakdown. After he’s finished pleading for release - “Set me free why don’t you babe" - the instrumental introduction is repeated, except this time the riff gets a bludgeoning quality that threatens grievous aural harm, before a sweeping organ cadence brings sudden, and merciful, relief. From: https://www.blogger.com/blog/post/edit/5067836177008380097/612365453995572163
