22 Brides - Demolition Day

In 1992, Libby and Carrie Johnson formed the indie folk duo 22 Brides, and in 1993 they put out the self-released eight-song CD Selling Fruit in Cairo. The band name 22 Brides comes from an Indian folk tale they heard when they were younger. After being spotted during one of their monthly gigs at CBGBs in New York, the duo signed with indie label Zero Hour Records. In June 1994 they released their self-titled debut, consisting of remixed songs from their self-released effort plus four new songs. The album was produced by Daniel Wise and features Jonathan Mover on drums and Mark Bosch on guitar.
On the year-long tour for 22 Brides, and in advance of their second album, Beaker, 22 Brides expanded into a four-member band with John Skehan (guitar, bass) and Ned Stroh (drums) joining Libby (bass, keyboards, vocals) and Carrie (guitar, vocals). The album had a more highly produced feel than the folk influences of the band's debut. Following a Zero Hour distribution deal with Universal Records, Beaker was released on Zero Hour/Universal. In September 1997, Zero Hour released the 22 Brides EP Blazes of Light, which was a sampler of sorts, with songs from their first two albums, "Purified" from their upcoming third album, and a cover of Leonard Cohen's "Hallelujah".
The band's third LP, Demolition Day, was released in 1998, with a return to the more intimate sound of 22 Brides. In an effort to get back to their folk-pop harmonizing roots, the band worked again with Daniel Wise and recorded their vocal tracks live and switched to a trio formation, with Libby on bass and vocals, Carrie on guitar and vocals, and Bill Dobrow on drums. In October 1995, 22 Brides toured with Dick Dale. They played at the 1998 Lilith Fair, and also opened for Ani DiFranco and Freedy Johnston. In 1996, Joe Quesada and Jimmy Palmiotti introduced characters based on Libby and Carrie Johnson in their comic book series Ash. They then created a four-book miniseries, 22 Brides, published by Event Comics, revolving around the characters based on the sisters.  From: https://en.wikipedia.org/wiki/Libby_Johnson

22 Brides - King For The Day

The group 22 Brides is mostly vocal duo Carrie and Libby Johnson, but before you truth-in-advertising freaks get your feathers ruffled, go talk to 10,000 Maniacs. I'd rather spend my time listening to the dozen songs that make up 22 Bride's self-titled new album. Don't let that "vocal duo" tag mislead you; 22 Brides ain't your average folk-light Indigo Girl wannabees. Instead, they push those voices out in front of a surging tide of drums, guitars, bass, keyboards and the odd mandolin or violin, creating a sound that's mostly stainless steel, gleaming and tough. The songs themselves are hard to pin down. Take "Wild in My Arms," which starts with what sounds like a snippet of tape played backwards, tumbles into a craggy percussive ballad, then kicks up its heels and raises some dust by the time the chorus arrives. Ballad? Rocker? All I know is that those stirring sibling harmonies and the tune's driving beat make it seem all too short. This unpredictable mix propels the record through the brooding Celtic muscle of "Visions of You," the whirling dervish of "City of Brides," the moody R.E.M.-ish drift of "King for the Day," the lean pop of "Silence," the hard country-rock gallop of "David," the electric urgency of "Ghost House," the piano and violin delicacy of "You Do," the perfectly restrained ode to sisterhood "Harder than Nails," the INXS swagger of "Transparent," the ringing resignation of "What's So Wrong," and the lovely fragility of "Time Stands Still." The lyrics tug at the edges of emotion and reason, phrases floating by on the breeze to resurface later like a small revelation and wrestled into memorable melodies by the strong, supple voices of the sisters Johnson. All of which makes 22 Brides one gem worth hearing.  From: http://www.louisvillemusicnews.net/webmanager/index.php?WEB_CAT_ID=50&storyid=12140&headline=22_Brides_-_22_Brides&issueid=68