Birmingham, UK band Fields display a curiously diverse spread of influences on their full-length debut, Everything Last Winter. At first they seem to have a baroque ’60s folk bent a la The Incredible String Band and Pentangle, but soon enough a soaring, mighty rock sound emerges, finding the band closer in spirit to My Bloody Valentine and Radiohead. And yet there’s a hypnotic ethereality to it all, harkening the ambient pop sounds of Broadcast or 4AD acts like The Cocteau Twins. It’s difficult to pin down one defining quality with this band, which is precisely what makes Everything Last Winter such an exciting and welcome revelation.
At their core, Fields are a rock band, one with verses and choruses, hooks and riffs. I could even imagine hearing many of the songs from Everything Last Winter on the radio, I just haven’t yet. It’s in the way these songs are executed with intricacy and innovation that makes them sound so fresh and fun. Opening track “Song For the Fields,” a holdover from their earlier EP 7 From the Village, progresses precisely in the manner I described earlier, opening mystically and mysteriously before erupting into a burly, distorted rocker.
Over the course of ten tracks, Fields’ modus operandi becomes a bit less confusing, as patterns begin to emerge, a pervasive psych-folk influence driving the melodies while huge guitars are added for the sake of making them rock out more. And really, who hasn’t thought to themselves `Fairport Convention could use more power chord riffs’? Okay, probably nobody, but expected or not, Fields are on to something really cool here. From: https://www.treblezine.com/fields-everything-last-winter/
