Question: I have the impression that your surname is Irish. Do you know much about your family roots? Do you feel much of a connection to Ireland or wherever else your family roots might be from?
Tanya Donelly: Donelly is Irish, but my family came over so long ago that I feel no direct connection to Ireland, other than a romantic one. I just recently developed an interest in genealogy and would like to learn more about my blood. I’m also Hungarian on my mother’s side—easier to trace because my great grandparents came over in the beginning of this century.
Q: Is it scary having your name on the CD cover rather than having Throwing Muses or Belly on there?
T: Yes.
Q: Do you feel comfortable being a solo artist?
T: More so now.
Q: Or does it just seem natural?
T: It doesn’t feel completely natural to me yet. I’ve got a band again in a way–the people I toured with are playing on this new record and will most likely do the next tour with me, too.
Q: How do you perceive your place in the marketplace? Are record sales important to you? Or do you leave that kind of stuff to your manager and others? Are you happy with a small cult kind of following? Or does having huge record sales appeal to you?
T: I’m more happy with a small cult following and the artistic freedom that comes with that. It’s also important to sell enough records in order to continue to make them.
Q: How different was the transition from the Muses to Belly, compared to going from Belly to solo?
T: Leaving the Muses was an amicable, sad experience. The Belly breakup was a less than amicable, sad experience. I think the Muses split was harder, because I was younger and much more easily freaked out.
Q: Do you feel like you’re writing music more for yourself now, rather than for a band?
T: Yes, although I still keep the people I play with in mind when I have certain noises in my head and when I’m thinking about parts. Dean, Rich, Elizabeth and Dave are very much part of the process on this record.
From: https://fairangels.wordpress.com/2018/05/12/brief-interview-with-tanya-donelly-1998-2/
Best known as frontwoman for Belly and sometime member of Throwing Muses, this first solo outing by Tanya Donelly is everything you’d expect. Issued on 4AD records in 1997, ‘Lovesongs For Underdogs’ does not always sound like great departure from previous work with Belly; but while not greatly different, it manages to pull together the soft sounds of that band’s ‘Star’ and rockier parts of ‘King’ on one release. In that respect, it could be viewed as Donelly’s most “complete” record.
Released as a single, the opening number ‘Pretty Deep’ sets the tone for a lot of the record’s best moments. It’s a brilliant piece of chorus driven alt-rock (with poppy edges), its ringing guitars evoking lots of great 90s vibes, while the quieter moments highlight Donelly’s fantastically breathy vocal style. The chopping between loud and quiet is typical of the musical fashion of the time, and the multi-tracked guitars toward the end of the number have a great mix between dirty and clean, which in turn bring things to a solid climax. From: https://www.realgonerocks.com/2013/03/tanya-donelly-lovesongs-for-underdogs/
