To my ears and soul, Life Is Sweet is not just one of the greatest lost albums of all time, but one of the greatest, period. It’s glam. It’s rock. It’s operatic. It’s art. The story behind it: While touring in support of her country-rock classic You Gotta Sin to Get Saved in 1993, one of the members of Maria’s band is said to have given her a mixtape of classic glam and glitter tunes. Maria listened. Loved. Obsessed. And then wrote and recorded a set of songs, released in 1996, that blended those glittery hues of yore with dramatic colors of her own design.
“Scarlover,” the opening track, is a great example. It’s rough, ragged and refined all at the same time, with guitars giving way to strings that give way to guitars, set to Maria’s seemingly stream-of-conscious admission that “ugly inside of me taught me of beauty/I wouldn’t trade that work of art.” As a whole, the album explores self-doubt, self-loathing and, ultimately, self-acceptance. At times, yes, it’s stasis in darkness (aka Sylvia Plath set to song). More than that, however, it’s Maria McKee unshorn, seemingly exploring her rapid-cycle bipolar disorder in ways that both replicate it and make it relatable. It’s the Bowie homage “Absolutely Barking Stars” with lyrics that delve into yin-yang duality and the dramatic “I’m Not Listening,” in which she attempts to ignore the voices inside her head that are taunting and haunting her.
The utterly catchy “Everybody” explores celebrity and Andy Warhol’s infamous “15 minutes of fame” maxim: “We’ve all been flirting/with the perfect day/when they think we’re perfect/Yeah, but who are they?” There’s also a flat-out incendiary guitar break. “Carried” is another highlight and, of course, there’s the title track, which may well be the greatest song she’s yet written or recorded.
Geffen, her record label, hated the album. AAA radio stations like WXPN, which embraced and promoted the hell out of You Gotta Sin, refused to play it. Some critics slammed it. Some fans did, too. Artistic growth often comes at a price, and in this case the cost was Maria’s major-label career. Life Is Sweet failed to sell, and she left Geffen not long thereafter. The album also fell out of print, and has never been reissued, even digitally. (A true crime against art.) Twenty-plus years since its release, however, and it sounds as fresh and hauntingly familiar as it did upon first listen. From: https://oldgreycat.blog/2018/06/23/the-essentials-maria-mckees-life-is-sweet/
