Andy: “Well, I'd wigged out by now and was more than sick of touring, mentally and physically. So, using some money I'd saved from bits and pieces of performing rights society money (PRS), I got a mortgage on a house in the old town of Swindon. XTC never saw a penny from any of our thousands of live shows, but that's another tale I can't tell you because I've had a gagging order slapped on me by our first manager.
“Feeling confused about my future, I'd sit in the back garden, now I had one, and just write and write. One of the last acts this manager did for us was to buy Colin and myself a Portastudio each (for which we were duly recharged). But at last, we had a four track recording facility to capture our ideas on. This was one of the first things I recorded on it. We'd never really made demo recordings much before now, only if we'd been in a studio whilst making an album or unless someone had set up a makeshift facility, eg: Swindon Town Hall. But now we had a way of demonstrating how a song might sound with more than one instrument. Better than saying in noisy rehearsals ‘gather round, I've got a new one, just give me room to stamp and strum’.
“Terry claimed that this song is the one that convinced him to leave the band, we were actually working it up when he told us he was quitting. The songs were too weird, he said, he didn't like the poofy drumming.” From: http://chalkhills.org/reelbyreal/s_LoveOnAFarmboysWages.html
