“We’ve always been compared to folk rock bands, but we haven’t always fitted into the genre exactly,” says Galley Beggar vocalist Maria O’Donnell. “We’ve gone to folk festivals, but because we’re electric we don’t fit in there. People like to put us in boxes, and I suppose folk rock is the closest thing. We’re quite happy being different!”
To reduce Galley Beggar’s allure down to a simple matter of folk rock revivalism would be foolish. With a sound that incorporates all manner of unexpected elements while always celebrating the mischievous spirit of folk music across the centuries, these Kentish chameleons have been steadily earning a formidable reputation since forming back in 2009. Over the course of three acclaimed albums – Reformation House (2010), Galley Beggar (2012) and Silence & Tears (2014), the band’s first for Rise Above Records – Galley Beggar have pulled off the neat trick of simultaneously honouring and upgrading the psychedelic folk rock template, both reveling in the simple magic of acoustic instrumentation and joyfully harnessing the lysergic power of the electric too. And now they are poised to release their fourth and finest album, Heathen Hymns. A dizzying blend of the traditional and the untried, it’s a record full of absorbing musical stories that showcase a newfound lust for experimentation.
“Silence & Tears was quite a laid back and chilled out album for the most part, and although it wasn’t deliberate, this album just feels a little bit heavier and more proggy,” Maria explains. “It’s still got some acoustic tracks on there, of course. There’s at least one song with just a guitar, a sitar and a cello! But overall it just feels a lot darker than the previous album and more adventurous, too. When we wrote Silence & Tears, and it was the first album we’d done with a label, and we worked with [producer] Liam Watson and he taught us a new way of thinking about and looking at things, about giving things space and trying different ideas. When we were writing Heathen Hymns, we just naturally wanted to try new things.”
For all its many detours down psychedelic rabbit warrens and shadowy, fog-shrouded footpaths, Heathen Hymns is still an album with melody and humanity at its core. Fresh originals like the hypnotic Four Birds and the woozy raga rock of Moon & Tide wield an insidious charisma, but it’s the way Galley Beggar’s collective ingenuity collides with the sacrosanct likes of traditional standards Let No Man Steal Your Thyme [here featuring a guest vocal from Celia Drummond of UK acid folk legends Trees] and The Girl I Left Behind Me that confirms this album as both an unequivocal triumph for creativity and a platinum-plated treasure trove for aficionados everywhere. From: https://riseaboverecords.com/artists/riseaboveartists/galley-beggar/
