Saturday, August 3, 2024

Antiprisma - Um Minuto Desse Ano


Antiprisma is a band that has been standing out on the Brazilian indie scene for a few years now. The striking folk sound of the duo formed by Victor José and Elisa Moreira has been gaining ground since the band's first self-titled EP, released in 2014. After that, the first full album, Planos Para Esta Encarnação, already showed the greater possibilities that the two were able to create based on their vocal melodies, their guitars and Victor's interventions on the caipira viola, played in a very unique and interesting way.  For 2019, the band decided to shake up its sonic possibilities and brought four singles throughout the year which, last Friday, joined together with six other songs to form Hemisférios, Antiprisma's second album. Guitars, bass and drums accompany Victor and Elisa through tracks that, even though they bring a new approach to the band's proposal, still show their essence and identity. To better understand the paths that led Antiprisma to reach Hemisférios, we chatted with the band via email, and you can check out this conversation here:

TMDQA: Firstly, I would like to know about the launch process for Hemispheres. Before the full album even came out, you already released four singles that would become part of it, why did you decide to show so much about what this new work would be about in advance?

Victor: Firstly because it had been a while since we released music. Furthermore, we noticed this tendency to emphasize more on working single by single, so we wanted to try this idea, as some tracks were ready a little earlier. There's also a bit of a curiosity factor, right... we wanted to know at least how these new songs might sound from other people's perspectives. We spent so much time on the project that releasing these songs earlier was a bit of a relief, you know? As we were already thinking about releasing 11 or 12 tracks, we thought it would be reasonable to release four songs in advance, because when the full album was released there would still be a lot of material to listen to.

Elisa: I think the singles are tracks that exemplify the new paths we followed on the album, and the most current look of Antiprisma. The launches served to keep the "wheels spinning" (laughs). I think we managed to release new things and still bring other new sounds to the album. Furthermore, in fact the tracks that were released as singles are part of a whole, and may even gain a different perception within the context of the album.

TMDQA: Still about these singles: "Fogo Mais Fogo", "Só Causa Você Não Se Encontrou", "Caos" and "Planície Sem Nome". Why were these the tracks chosen to preview the album? And how do you believe they were able to translate the idea of ​​Hemispheres  to those who were waiting for it?

Victor: For me, there are other tracks on the album that could have come out as singles before, but these four tracks in a way sum up what's recorded there. I think I see in them the paths we ended up taking. It has a bit of calm and harmony as well as a more aggressive and incisive streak.

Elisa: We chose "Just Because You Didn't Meet" because we noticed a good reception when we played it in shows, still as a duo. We noticed that people paid attention to the song itself and the lyrics, which have a strong message. "Planície Sem Nome" we noticed right away that it would have potential as a single, as it has a more pop melody. "Caos" would bring folk and acoustic, which are important elements of our identity, but with a darker approach, a different mood than what we had presented before. And we decided to open everything with "Fogo Mais Fogo", which immediately brought a vibe that would break with the expectation of an acoustic, calm Antiprisma release... this track is very strong and features Gabi (Gabriela Deptulski, from My Magical Glowing Lens ) took a more psychedelic approach. We think it's a good milestone to start our new phase.
 
TMDQA: Now about the album as a whole. Anyone who follows Antiprisma already knew that the band was accompanied by more musicians in their performances, and you could already imagine that this would also be seen in the final result of Hemisférios. How did this accession of new members happen and how did it impact the new work?

Victor: We simply realized one day that maybe it was time to try playing with a full band, with a conventional lineup. You see, although from the beginning we followed this acoustic vibe, based more on vocal harmonies, it was never our intention to continue like this forever. We kind of knew that this aspect would always be present in anything we did, but we also knew that at some point this moment would come to play with a band. Sometimes we need to play a guitar, and a kitchen with bass and drums opens up another world for us to explore. It has been very good and very interesting to maintain both formats, duo and quartet, the music benefits a lot from this.

Elisa: When we started recording this album, we already had the idea of ​​playing live with a full band, but we hadn't yet finalized a lineup. So, on the album we recorded ourselves, and invited our friend Marlon Marinho to do the drums. Our idea live is not to literally reproduce what is on the record - although it doesn't deviate much from what is there -, but to transmit our "vibe", which is on the record, in a less introspective way than as a duo.

TMDQA: Something very curious about this new album is the presence of more intensely instrumental tracks, with some even entirely without vocals. What was it like composing these songs and how did the decision to include them in Hemisférios come about?

Elisa: All of our strongest references have important instrumental moments, so for us it was a natural decision.

Victor: Recording instrumental things has always been a great desire. For Hemisférios we separated two tracks like this, "Lunação" and "Cenário" . The first is a composition that came from Elisa, we broke down the whole thing and in the end it had this post punk feel. We even embraced the idea of ​​using a Cocteau Twins sample to make the beat. This was one of the ones I most enjoyed doing. "Cenário" came from a riff I made on the viola and that ended up taking on an interesting look; I think it turned into an emotional sound, and it was a great addition to the album's tracklist. Despite paying a lot of attention to the lyrics, in general the instrumental on this album was very rich. It has many moods in it.

TMDQA: And finally, how is the band feeling about leaving their comfort zone, experimenting with other sounds and now playing with electric instruments and other members in their performances? Tell us about this experience that the new album is providing for you.

Elisa: We felt this desire to try a full band, but we ourselves didn't really know how we would sound... One concern we had was to arrive at a sound that didn't "swallow" the personality of either of us, that maintained the balance that we always strive for - we are a girl and a guy playing and composing, side by side, in equality. And that for us reflects in our sound. One of the fears about playing with a band was that it could "unbalance" the sound, for example leaning too much towards Victor's references, sounding more masculine, or towards mine. Look at the girls (laughs) We did some shows with different lineups until life made us bump into Ana and Rafa, who are currently doing our "kitchen" live. Together with them, we are increasingly polished in our band version, discovering and creating our electric face for live shows

Victor: This entire period of composition, recording and rehearsals has been Antiprisma's most intense. Honestly, it's a great relief to be able to create in other ways, express yourself in other ways. We feel very comfortable at Antiprisma, and I think that although we have changed a lot in some aspects, our style is definitely there. And even though it's different, there's a good part of the album that has the feel of the EP or Planos Para Esta Encarnação. I think this new job has given us even more of an ability to see other things about ourselves from a different perspective, and it's really crazy that playing live with this electric approach makes it feel like a "fresh start" for us.

From: https://www-tenhomaisdiscosqueamigos-com.translate.goog/2019/09/03/antiprisma-entrevista-hemisferios/?_x_tr_sl=pt&_x_tr_tl=en&_x_tr_hl=en&_x_tr_pto=sc