Monday, July 22, 2024

7Horse - Meth Lab Zoso Sticker


LA’s 7Horse are a duo. Some call them the Two-Man Rolling Stones. It fits. They have a new album. It’s called Livin’ In a Bitch of a World. Like their previous two albums, it’s filled with fuzzy, blues-y, raw n’ ripping odes to the cheapside of life, story songs about hard luck gamblers, street-fighters and steely-eyed tough guys. Also like all of their previous albums, every word is true, more or less. Take the first single, Two Stroke Machine, for example.
“Yeah, that song is about me and my dad, an incident that happened when I was about 2 years old,” nods 7Horse’s drummer-slash-frontman Phil Leavitt. “My dad was a loose cannon back then, kind of a Charles Bukowski type figure, and there was a beef in the house between him and my grandparents, and he pulled a gun on them. My mom was there too. My dad plays a cameo in the video for the song. He loves it. My parents are long divorced but my mother, she had a visceral negative reaction to the song. She really didn’t like it.”
“And she’s generally a very big fan of this band,” laughs guitarist Joei Calio. “It was an interesting situation to say the least,” says Leavitt. “ I have never played a song for my mother and had her go, “Oh I hate that”. I think because it brought her back to that day.” “When he brought that to me, I thought it was one of the best opening lines I’d ever heard,” adds Calio. “So clean and pure.”
Leavitt’s background looms large in 7Horse’s sound and vision. He grew up in Las Vegas, during its heyday of excess and depravity in the 1970’s. It’s there in the lyrics and the atmosphere and in their live show. I witness them bashing out their smoky barroom rock’n’roll to a sparse but enthusiastic crowd one lonesome Sunday night in Boston and the room was thoroughly transformed into a seedy lounge full of creeps and dames and murder kings through Leavitt’s witty banter and the band’s full-bore dedication to authentically hard-edged rock’n’roll.
“This show we do, it’s like a combination of a rock show mixed with like a Las Vegas lounge act,” explains Leavitt. “I grew up with that classic show business world. You know like when you’d stay up late to watch Johnny Carson and see guy like Don Rickles? That was my actual childhood. I grew up in Vegas in the 70’s, the old school Vegas. People wore suits and I was running around casinos when I was in single digits. I had a job at the casino when I was 13. I grew up in that environment, and it makes it’s way into the lyrics. We’re coming from a dirty rock’n’roll angle, we want to perpetuate that atmosphere.”  From: https://www.loudersound.com/features/7horse-a-story-of-gunplay-death-blues-perseverance-and-survival