Born in South London to a South Indian immigrant family, Sheila Chandra discovered her voice at the age of twelve and whilst at Theatre Arts school. From this moment her chosen path was to be a singer. Lacking any real contacts or access to the music business, she nevertheless honed her vocal skills as a labour of love, spending up to two hours a night throwing her voice into the tall, drafty and uncarpeted stairwell of the family home: “I didn’t know how to manufacture an opportunity, but I was determined that when a chance came my way I would be ready.”
A chance did come her way, perhaps drawn by the weight of such unshakable belief. Steve Coe, a writer and record producer, was about to form a band, Monsoon, as an outlet for his increasingly Indian influenced material. He came across Chandra’s voice on an old audition tape, lying in a box at Hansa Records and knew that he had found his singer: “The richness, fluidity and quality of her voice struck me immediately. And then when I requested a photo from the file and found that Sheila was Asian, everything else seemed to fall into place.” Monsoon put out an EP on Steve Coe’s newly formed Indipop label and were signed by the far sighted Dave Bates at Phonogram. The band’s first single ‘Ever So Lonely’ took a song written around a raga and, utilizing the new production techniques available, came up with an irresistible but radical modern pop fusion sound.
Eventually, Chandra walked away from it all, frustrated by the increasing lack of communication between Phonogram and Monsoon over artistic direction. She went back to the Indipop label to learn her craft as a writer and musician. Free from business constraints and in complete control of her creative life, there followed a remarkable and prolific two-year period. Her first four solo albums for the label chronicle a profound transformation in the quality and depth of her work, both as a singer and increasingly as a writer, in her then chosen field of Asian fusion — learning from the very structures she had ignored throughout her childhood.
Her new found ability to cross continents in a single vocal line and weave seamlessly the vocal styles of the Arab world, Andalucia, Ireland, Scotland, India and more ancient structures such as that of Gregorian plainsong made for a true fusion within one mind and one voice. Weaving My Ancestor’s Voices established Chandra as a spiritual heir to a ‘whole world’ vocal tradition, whilst Coe’s sensitive and painstaking production enhanced this further and acted as an integral part of the recording, particularly on the virtuoso vocal percussion pieces ‘Speaking In Tongues’ I and II. After touring the USA with Peter Gabriel’s 1993 WOMAD tour, there followed The Zen Kiss and ABoneCroneDrone. The latter was a daring minimalist strategy to lure the listener out of long accustomed passivity to hear, as Chandra does, the living symphony of harmonics within the simplest of drones.
In 2001, Sheila released a one-off collaboration album with The Ganges Orchestra called This Sentence is True (The Previous Sentence Is False) on the tiny Indipop Records; a project she said helped her break out of her voice and drone box. In the meantime, Sheila’s transcendent vocals from the Real World trilogy had became a staple ingredient of unauthorized dance remixes. From: https://realworldrecords.com/artists/sheila-chandra/
