#Polecat Creek #bluegrass #Americana #folk #roots country #traditional #singer-songwriter
Most old-time string bands keep their repertoire routed in the classics, learned either from recordings from the 1920s thru 1940s or old master musicians. Polecat Creek, however, offers no less than fifteen original songs on Leaving Eden. Greensboro’s Polecat Creek presents an exceptional balance of traditional country sounds with new songs penned by musical partners Kari Sickenberger and Laurelyn Dossett. The latter’s “Come By Here,” the ninth title on Leaving Eden, won at MerleFest’s Chris Austin Songwriting Contest in 2004. That’s probably not even the best song on an album full of memorable songs. Sickenberger’s “The Past Ain’t Over Yet” reflects all of the hallmarks of the best honk-tonky of more than half-century ago. Yet it switches gender with the female voice into direct opposition to Kitty Wells’ “It Wasn’t God Who Made Honky-Tonk Angels.”
All told Kari wrote nine of the songs, with Laurelyn responsible for the other six. Just as important as the writing, the pair sing far more than effectively, delivering a full range of emotional communication. Not only are these their songs, they sing them as if telling their own life stories. That sets them apart from the old school, using the old-time form as a platform for two outstanding singer-songwriter.
The duo receives equally accomplished musical support. Regular collaborator Riley Bauguss, one of the most respected southern string band players of his generation, plays outrageous banjo throughout, along with some fiddle and guitar. Producer and frequent Tim O’Brien collaborator Dirk Powell of Balfa Toujours adds bass, accordion, mandolin, guitar, and fiddle. Former Good Ole Person Kevin Wimmer fiddles on four cuts.
Rather than recycle themes from nearly a century ago, Polecat Creek creates an original roots sound that draws from string band, brother duet, Cajun, bluegrass, and traditional country. Yet they do that without ever losing their spiritual connection to those who have gone before. That makes Leaving Eden one of the most delightful releases of 2004 in any form of country music.
From: https://artmenius.com/more-recent-publications/reviews-for-the-independent-2004-2005/
