Love broadened their scope into psychedelia on their sophomore effort Da Capo, Arthur Lee's achingly melodic songwriting gifts reaching full flower. The six songs that comprised the first side of this album when it was first issued are a truly classic body of work, highlighted by the atomic blast of pre-punk rock "Seven & Seven Is" (their only hit single), the manic jazz tempos of "Stephanie Knows Who," and the enchanting "She Comes in Colors," perhaps Lee's best composition and reportedly the inspiration for the Rolling Stones' "She's a Rainbow”. From: https://www.allmusic.com/album/da-capo-mw0000195829
Seconds into the opening track, “Stephanie Knows Who,” it’s clear that “Da Capo” represented new directions for Love and for rock. A harpsichord dances with guitar in the lovely prelude. A deep-throated sax breaks in. In the break, all of the song’s instruments collide and veer off in different directions. The resulting passage is more in tune with free jazz than psychedelic music - although this is unmistakably a hard rock song. “Da Capo” was Arthur Lee and Love’s second album, out of three made with his core group of L.A. musicians. The album was followed and overshadowed by the rock masterpiece “Forever Changes,” but the songs here are streaked with brilliance and innovation. Many musicians’ minds were blown by its collage of sounds and crazy quilt of influences, the material clearly ahead of its time. “Da Capo” is, in a sense, a more adventurous album than “Forever Changes.” In any case, these tracks are among the finest recordings of Love as musicians. (Key parts of “Forever Changes” were played by hired hands.) The band had expanded to seven players, upgraded its drummer, added woodwinds and, of all things, integrated a harpsichord. The first side of “Da Capo” is a lovely experiment in fusing sounds from rock, Latin rhythms, jazz and classical. Lee and company succeed at this without pandering, producing some of their best songs. From: https://psychedelicsight.com/no-37-loves-da-capo/
