#Jethro Tull #Ian Anderson #progressive rock #folk rock #hard rock
#blues rock #English folk rock #art rock #classic rock #progressive folk #music video
"Willie" is British slang for the penis, and this song is about oral sex. There are other sexual references throughout the song, something that is not typical of Jethro Tull. In spite of the apparent bawdy nature of the lyrics, Jethro Tull front man Ian Anderson is no lecher. As he told us: "I'm usually rather put off by naked ladies unless the time is right. Well, indeed, unless the money's right." In fact, he turned down performing at Woodstock based on the likelihood of it being a scene involving naked women and hippies! (Check out the full Ian Anderson interview)
Jethro Tull front man Ian Anderson isn't your typical Rock Star. He's never done drugs and has no use for the trappings of fame. So what does he have in common with the boys from Led Zeppelin? More than you might think.
Carl Wiser (Songfacts): Ian, I have four different statements about you that appeared in pretty notable publications. I was wondering if you could tell me if these are true or false. The first one is: you kept a urinal you used to clean as a souvenir.
Anderson: I wish I had. I don't have it anymore. It was one of the spare and probably cracked or slightly broken urinals that was in the store room of the Ritz Cinema in Luton in late 1967. My job was to clean the theatre, including the toilets, in the mornings, which took me half the day. And I thought, well, this old urinal is probably not going to get used, because it had a chip out of the side. So I managed to take it home. And I did keep it for a while with some idea of turning into perhaps a drinking fountain. But along the way it got abandoned, and the nearest I came to reliving the urinal moment was when we used to have a urinal bolted to the side of John Evan's Hammond organ onstage, and at some point during the performance around 1972 he would pretend to relieve himself into said urinal to the amusement – and horror, indeed – of some of the audience. But it was, in fact, just playacting. Because he did in fact relieve himself into a beer can backstage, but hopefully no one was looking during the drum solo. So, yes, partly true.
Songfacts: Okay, next one. You refused to play Woodstock because you thought it wasn't a big deal.
Anderson: No, I knew it was going to be a big deal. The reason I didn't want to play Woodstock is because I asked our manager, Terry Ellis, "Well, who else is going to be there?" And he listed a large number of groups who were reputedly going to play, and that it was going to be a hippie festival, and I said, "Will there be lots of naked ladies? And will there be taking drugs and drinking lots of beer, and fooling around in the mud?" Because rain was forecast. And he said, "Oh, yeah." So I said, "Right. I don't want to go.” Because I don't like hippies, and I'm usually rather put off by naked ladies unless the time is right. Well, indeed, unless the money's right.
Songfacts: Okay. Yet you toured with Led Zeppelin.
Anderson: We did, but happily, outside the orbit of their nightly shenanigans, although Jimmy Page used to show us Polaroids involving close-up blurred parts of young ladies' anatomy, often featuring soft fruit - that seemed to be in quite a lot of these photographs. Yeah, that's about it. We kind of heard the tales, but we were on the periphery of all that, didn't really experience it.
Songfacts: Was that the way it was for many of the bands that you toured with?
Anderson: That they stayed on the periphery? No. My impression was that the majority of bands were really enjoying and living up those moments when they were temporarily famous and about to have the good fortunes of young ladies' attentions thrust upon them on a nightly basis, which I could never have possibly kept up with the pressure to fulfill. So, yeah, that's my impression, everybody was at it. I mean, out of all the bands, and all the people I've known, really, I'm probably the only person I know for sure never did what we popularly called "drugs" during all of that period. It was just something everybody did. And I didn't really enjoy being around people who were doing drugs, so I just took myself often to read a book somewhere, and waited for it all to kind of evaporate from the rock and roll lifestyle. But of course it hasn't. These days people drop as often as they did back then, like flies, sadly, before their time. One or two get lucky and manage to control it or survive it, like Keith Richards, but he's one of the small number of people who seem to have emerged – not entirely unscathed – from the heady and demanding experiences of rock and roll.
Songfacts: I read where you said that Led Zeppelin "showed you the way." So you must have learned something from them.
Anderson: I think what they showed to all their peer group as musicians, was that there was, first of all, a very powerful and dramatic way to perform simple, direct rock music and also to introduce elements of more eclectic music. Because Zeppelin, near the beginning, there were a lot of elements of folk music, and Asian music, and African music that crept into their stuff. And if Zeppelin had carried on, I imagine we would have had at least one or two Led Zeppelin "unplugged" albums, and probably some rather more esoteric offerings along the way, where they did explore more thoroughly those more eclectic musical moments that they hinted at early on. Jethro Tull and Led Zeppelin did share that same interest, even passion, for music that was not the normal stuff of rock and roll. And perhaps they, too, were influenced in some ways by what influenced me: Indian music, Mediterranean music, and British folk music. And we shared a chum, a fellow by the name of Roy Harper, who's one of the British folk musicians of the late '60s. And he was chummy with members of Pink Floyd and Zeppelin and with me. Not with the other members of Jethro Tull, who thought he was a bit weird and they didn't really like his music, I don't think. But he was someone who influenced me greatly right at the beginning, around '68 when I first came across him. And I think that rubbed off a little bit on Jimmy Page, too, as did some of the other British folkies, like Bert Jansch and Davey Graham, and I think that music must have infected the early Jimmy Page style with some of its innovative guitar work.
From: https://www.songfacts.com/blog/interviews/ian-anderson-of-jethro-tull