"A piece of rubbish!" This was John Lennon's reaction in 1980 when asked about his "White Album" composition "Cry Baby Cry." Why would he react so negatively about this song? Those who take the time to examine the writing style of John Lennon through the years will easily notice the changes within the context of the time period. For instance, his output in 1967 generally used imagery to paint a picture that didn't necessarily make sense but sounded as if it did, such as with “Lucy In The Sky With Diamonds” and “I Am The Walrus.” By 1968, he put this aside for the most part and dealt much more with real occurrences in his own life and/or his interpretations of real events, such as with “I'm So Tired,” “Sexy Sadie” and “Revolution.” It is within the context of his 1968 output that we experience a “throwback” of sorts with “Cry Baby Cry,” a song which started to take shape the previous year and exuded the obscure but effective lyrics Lennon was known for at that time. Concerning John's negative opinion of the song in 1980, Beatles writer David Quantick offers the explanation that he “might have dismissed the song for not being about anything concrete.” This appears to make sense in light of the fact that, when looking back at his career as a songwriter, he would cite autobiographical songs, such as “Help!” and “Strawberry Fields Forever” as his best work. If that was the criteria he used in his later life, songs about imaginary characters involved in nonsensical activities could be seen as useless to him, or “rubbish.” Most Beatles fans and authors would wholeheartedly disagree, however. Ian Mac Donald, in his book "Revolution In The Head," describes "Cry Baby Cry" as “one of the most evocative products of that creative channel.” “An underrated Lennon royalty satire; it's his most accomplished Lewis Carroll pastiche,” writes Tim Riley. “A song with an air of a particularly dreamlike ghost story - one of the strangest and most beautiful lyrics on the 'White Album,'” writes David Quantick. “Alice trips gently through Lennonland for just about the last time. It ranks among his most magical,” writes Nicholas Schaffner. From: http://www.beatlesebooks.com/cry-baby-cry
